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Diego Velazquez
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet Related Paintings of Diego Velazquez :. | The Buffoon Don Cristobal de Castaneda y Pernia (Barbarroja) (df01) | Dona Antonia de Ipenarrieta y Galdos y su hijo don Luis | Don Luis de Gongota y Argote (df02) | Equestrian Portrait of the Count Duke of Olivares | The Fable of Arachne a.k.a. The Tapestry Weavers or The Spinners | Related Artists: Nathulal Gordhan1897-1936 Karl Pavlovic Brullow1799-1852 Corot CamilleFrench Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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All the Sandro Botticelli's Oil Paintings
Supported by oil paintings and picture frames
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